Showing posts with label Hampton Court Palace. Show all posts
Showing posts with label Hampton Court Palace. Show all posts

Wednesday, 13 July 2011

Strange, wonderful, poignant. Hampton Court Palace Flower Show

Went to Hampton Court, the biggest flower show on earth. (and I posted about Hampton Court's golden gates here).    This year there was an Alice in Wonderland theme.  I've blogged about some of that here on my Lewis Carroll/writing blog.

There was more than Alice, of course. Like, crowds.  We hadn't seen crowds like it since the days when I used to write about Disney World.  And so, if you've ever been to Disney at a peak time, you'll know how it felt at Hampton Court, shuffling across the bridge from the station and all the way along through the gardens to the showground.

Here was the view on the station platform when we finally struggled off the train (after a five minute wait before they opened the doors, due to platform congestion. Yes, this is the platform AFTER the congestion cleared.)

The queue snaked on and on and on, right into the Palace grounds, past one of the Palace gardeners who was busy keeping the edges of the lawn immaculate.  The way he was snipping so delicately made me wonder if he wouldn't have been better off cutting the blades of grass with nail scissors.


A mere blog entry isn't enough to describe everything that was there. Let me offer you a few snapshots...

The weather was dodgy, so this couple eating their packed lunch, are wisely wearing rain capes. In the foreground is one of the entries in the Wonderland scarecrow competition. No prizes for guessing who it is.






Below is  a little corner of the "Home Front" 1940s garden.  This reminds me of the garden my grandfather had when I was a child. I used to like to sit and play amidst the lupins, although I don't suppose he liked me doing that very much, come to think of it.


Several of the gardens were "conceptual" - intended to illustrate an idea. Some of these worked better than others, in that some conveyed their "concept" successfully but were not very nice gardens. Others didn't convey the concept very well but were interesting and attractive. For instance, I liked this one, below, which was quite surreal. I have forgotten what it was supposed to represent, but I liked the way that steam was puffing out of the little chimneys set in green hills.  As if Teletubbies might be lurking...  



I loved a garden created by the charity "Worldvision" which does useful work sponsoring children in poor parts of the world.  I truly don't know how their very beautiful garden relates to this work, but it surely must have  raised awareness of the charity. Masses of wild flowers grew between tall grey slabs spaced around the edges of the plot. Through each gap you could glimpse a pond which contained a large grass balll and a corresponding grass cup.  The effect was mysterious and very striking.  Even in the busy flower show, it looked good; in a private garden it would be stunning.  I wondered how they'd cut the grass, though.


I don't know much about how you get to create a garden there, but one very striking gardens was created by a charity which helps people with bladder problems. It's called http://www.amatterofurgency.co.uk/ and  garden was basically bright pink, with a large tap running constantly into a small trough.




 In the centre, (not shown) was a large ball which was supported on a fountain of running water. Visitors could easily control the ball even though it looked large and heavy.  The idea was that you took control of your bladder problem, just like you could control the ball.   I found the bright pink walls and brilliantly coloured flowers oppressive, but there's no doubt it was memorable - see? I've remembered all about it! And I hope it will have alerted many sufferers to the idea that there is help for this troublesome condition. 

I was quite impressed by a garden created by the makers of Copella apple juice, .  This, like many of the gardens, used wild flowers extensively, and contained several pretty, small apple trees. The garden theme was associated with preserving English apple orchards and promoting the idea that ordinary people should grow apple trees. . (More info from clicking on the link above) .  The pathway was inspired by the veins on an apple leaf, and the sculpture at the top is supposed to represent regeneration. I was rather disappointed that they didn't make it look like an apple pip.


Some of the concepts were impossible to understand even when explained.  One of the most original gardens was designed by a company called Bestique.   It's very hard indeed to describe it., but the inspiration was apparently inspired by a line from a song by Jimi Hendrix - wonder which one.   The garden consisted of - let me try to explain - a sort of small amphitheatre with angled mirrors all the way around. The mirrors reflecting both the sky and the tall blue agapanthus flowers sited nearby.   Above, was a lattice upon which were suspended many plants hanging upside down and swinging about in the wind.  You view the plants with a mirror and they appear to be dancing upon the sky. I didn't take a movie but here is a photograph (which I have turned upside down) and you must imagine the plants moving as if in a dance.... 

Although it sounds odd - and, indeed, it WAS odd - it was a very pleasant and relaxing place. I did wonder if you have to replace the plants every  now and then, because of course they'll do their best NOT to grow upside down.



One of my favourite gardens was a magnificent effort by TeamUK. This organisation promotes manual skills training for young people (and if you click on their name, above,  it takes you to the website, which has much more about the garden.).  Their garden was voted the public's favourite, and few would be surprised by that - it was so large and so full of interesting things. I am just showing one corner here. A cottage - yes, they'd built a real cottage! - with a turf roof, sitting off a winding lane. 


Like several of the other gardens, the SkillsUK garden used wild flowers to good effect.  I could hardly believe that it had all been created from scratch.  If this is an example of the skill of young artisans, then the future of landscape and architectural restoration looks secure. 

There were a number of gardens themed on poems. The gardens were pretty variable in quality, but we were greatly impressed by a garden inspired by Rudyard Kipling's poem "My Boy Jack," which is about a sailor fighting for his country.  Kipling wrote the poem after his beloved only son Jack was killed in the First World War. Jack's death absolutely devastated him and affected the rest of his life, and for this reason the poem is full of poignancy. I'm printing it out in full below. It's in the form of a dialogue between two unnamed people, although one is obviously Jack's mother.   
  

--
"Have you news of my boy Jack?
Not this tide.
When d'you think that  he'll come back? 
Not with this wind blowing, and this tide
Has anyone else had word of him?
Not this tide
For what is sunk will hardly swim
Not with this wind blowing, and this tide.
Oh dear, what comfort can I find?
None this tide
Nor any tide
Except he did not shame his kind
Not even with that wind blowing, and that tide
Then hold your head up all the more
This tide
And every tide
Because he was the son you bore
And gave to that wind blowing, and that tide!
--
The garden evoked a windswept place by the sea, and as it was a windy day, the long grass was blowing and rippling in the wind.  Looking at my photo, I think I might have preferred the seagulls to be naturalistic rather than stylised -  but in fact they looked fine when you actually saw the garden.

I'll write more about Hampton Court Flower show later. But I think that the Kipling garden is a well conceived and thought provoking garden with which to end this post..  

Monday, 20 June 2011

The Golden Gates of Hampton Court - and Cinderella!


I have just taken a cycle trip from London to Wales, and up the Welsh borders.  On the way out of London, I passed Hampton Court Palace, and saw something new.  This 16th century door in the wall has acquired golden flowers, and if you look carefully you will see that the wooden door is also covered in flowers.  It looks like the entrance to some enchanted place.

The golden flowers echo my favourite Hampton Court feature - the beautiful ornamental gates which guard the entrance from the River Thames.  For many centuries, the roads were so bad that travel was difficult, and so the Royal Court would travel by boat.  These gates mark the spot where they would embark and disembark, and through them you see the palace and the Privy Gardens in which royalty would wait.

The gates were created by a master blacksmith called Jean Tijou, who came over to Britain with William II.  They consist of several screens linked with ornamental work and were installed in 1701.  I have searched in vain for a commentary on them, so I don't know the meaning of all the symbols, but here is the thistle of Scotland



This looks to me like the Irish harp, from the days of the Kingdom of Ireland.  


I don't know who the imp (below) represents!  Grotesque figures like this were popular at this time, though.


However, I am very sad to see that these gates are, in general, not well maintained.  When I first saw them, as a teenager, they were a magnificent sight and you could really imagine William and Mary stepping ashore from their royal barge and proceeding up towards the palace. Today, the unity of the gates has been ruined, because some of the decorative work has not been gilded when it should have been.


 
You will also notice that some of the surrounding ironwork is black, and some is grey, as if it is an undercoat - there seems to be no sensible reason for this.  At first, I thought the gates were in the process of being repainted, but actually there is rust appearing here and there, so this clearly isn't the case.

Worst of all, some ugly modern railings have been added. For security? Hardly possible that they couldn't find a better way of securing these fine works of art.   I had to poke my camera lens through the ugly modern railings, but this is what you really see when you approach the gates.







If they had tried their very, very best to create ugliness from beauty, they could hardly have been more successful.  And it's strange, because the rest of the palace has had great care lavished upon it. You'd almost think that these gates have been singled out as the Cinderellas of Hampton Court.

 I'm going to write to Historic Royal Palaces, which now runs Hampton Court, and see if I can get an explanation.   I'll keep you posted ....

PS. That was quick! They responded to say that they're about to undertake a ten year programme of conservation on the gates.  Which explains the motley appearance, rust, etc.  And they have promised to send me further information about this. No explanation so far about the ugly railings, but I suspect I may get some answers if I try  the SPAB who take a keen interest in old buildings.

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